Jean-Michel Othoniel
O Olho da Noite
“O Olho da Noite”, by French artist Jean-Michel Othoniel, is a production by the Oscar Niemeyer Museum. The exhibition features works in the Olho, in the Araucária Spaces 1 and 2 and in the external area (water mirror). The curator is Marc Pottier.
Othoniel’s genius surpasses all expectations by transforming the Olho exhibition room into a kind of large planetarium, with the signs of the zodiac floating in the form of 12 sculptures in blown glass.
In total, the exhibition presents 25 large-scale works. The sculptures are made of various materials, such as: mirrored glass and stainless steel, mirrored glass and wood, and steel and gold leaf.
Artist
Jean-Michel Othoniel
Curatorship
Marc Pottier
Exhibition period
From 22 de novembro de 2024
Until 23 de maio de 2025
Location
Olho, Espaços Araucária e Espelho D'água
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LEARN MORE ABOUT THE EXHIBITION
O Olho da Noite: a "planetarium" by Jean-Michel Othoniel specially designed for MON as a tribute to Oscar Niemeyer
"O Olho da Noite", by French artist Jean-Michel Othoniel, is the next major international exhibition at the Oscar Niemeyer Museum (MON). The exhibition will be inaugurated on November 22, MON's anniversary day, and will feature works in the Eye, in the Araucária Spaces 1 and 2 and in the outdoor area (water mirror). The curator is Marc Pottier.
"It's an immense joy to welcome an exclusive exhibition of such magnitude by Jean-Michel Othoniel to MON, celebrating the Museum's anniversary and strengthening the great cultural dialog between Paraná and France," says the Secretary of State for Culture, Luciana Casagrande Pereira.
"Each exhibition held by MON in its iconic Eye is unique. What the public sees is always the sum of the talent of a great artist, in this case the contemporary French artist Jean-Michel Othoniel, with a unique and dazzling exhibition space, considered in itself a work of art, designed by the master Oscar Niemeyer," explains MON's director, Juliana Vosnika.
"Othoniel's genius exceeds all expectations when he transforms the exhibition room into a kind of large planetarium, with the signs of the zodiac floating in the form of 12 blown glass sculptures," she says.
On the floor, the public will see a sea of blue glass bricks that reflect both the constellation and the arch imagined by the architect, in a surprising combination.
"As if it didn't just fit inside the Museum's exhibition space, Othoniel's work spills out. At the foot of the Eye building, the public will see large abstract sculptures, inspired by flowers, which float in the water mirror, causing a surreal effect," says Juliana. She explains that this has been a premise of the Museum: to break physical boundaries and go beyond the places originally intended for exhibitions, invading other spaces.
In total, the exhibition features 25 large-scale works. The sculptures are made of different materials, such as mirrored glass and stainless steel, mirrored glass and wood, and steel and gold leaf.
The Eye of the Night
The curator explains that the title of the exhibition evokes the shape of the building where the exhibition room is located. "The exceptional building and this elevated 'eye', built by Niemeyer, is a much more complex place than it seems, despite the simplicity of its design," comments Pottier. "The ceiling is curved and the walls on both sides are made of glass, as if they were suspended above the ground."
Pottier explains the choice to install large abstract sculptures, inspired by flowers, in the outdoor water mirror. "Just like Niemeyer's building, which was to be inspired by the Araucaria, the symbolic tree of the Paraná region, he made sure that his lotuses rose above the water, showing off their reflections," he says. These sculptures, which are monumental, seem relatively small compared to the gigantism of the building and are a tribute to Niemeyer's passion for botany."
Jean-Michel Othoniel says that when he was a young artist, he had the opportunity to meet Oscar Niemeyer in person at the architect's house in Rio de Janeiro. "The memory of gazing at the stars with him through a large window, as if I were facing the curved universe of Brasilia, left a deep impression on me," he says. "It was on this poetic memory that my first major solo exhibition in Brazil was built," says the artist.
The artist
Jean-Michel Othoniel (France, 1964) is a contemporary artist who lives and works in Paris. A multidisciplinary artist since the late 1980s, Othoniel has worked in various fields: from drawing to sculpture, installation to photography and writing to performance. In 1993, he started using glass, which became his mark.
Since his first public commission in Paris in 2000, "Le Kiosque des Noctambules", his work has been exhibited in both museums and public spaces. Among them, the project of golden glass fountain sculptures in the gardens of the Château de Versailles, "Les Belles Danses", and "Alfa", an installation for the new Qatar National Museum, with 114 fountain sculptures. In 2019, a new series of paintings entered the permanent collection of the Louvre Museum.
Jean-Michel Othoniel has held major exhibitions all over the world since his participation in the Kassel Documenta in 1992. He had an important retrospective at the Centre Georges Pompidou in Paris: “My Way”. It has been exhibited at the Leeum Samsung Museum of Art/Plateau in Seoul, the Hara Museum of Contemporary Art in Tokyo, the Macau Museum of Art and the Brooklyn Museum in New York.
In recent years, Othoniel has exhibited in museums and gardens at the Petit Palais in Paris, the Seoul Museum of Art and the Brooklyn Botanic Garden. His works are currently in some of the world's most renowned contemporary art museums, foundations and private collections.
Images
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
Picture: Claire Dorn Perrotin
For Jean-Michel Othoniel, the marvelous is the challenge of this century. “The Eye of the Night”, in the Museum’s emblematic “eye”, its twelve cosmic mobiles represent the signs of the zodiac. They recall the movement of the stars as they are reflected in the museum’s glass walls and also in a sea, formed by six thousand aquamarine-colored glass bricks placed on the floor. But before that, the visitor will have discovered in the external water mirrors, four large sculptures inspired by nature. They are gigantic flowers covered in gold leaf, which, like astrolabes, mix their reflections, complicit, with the gaze of the great Brazilian architect. The artist transforms the MON into an enormous planetarium with his celestial mathematics that refers to the universe and infinity. The title of the exhibition evokes a universe imbued with surrealism and literature. “I have the feeling that Brazil is a country of stories, of encounters, where the marvelous coexists with reality, where color coexists with black. And in this exhibition I would like to evoke all these antagonistic feelings, all these emotions that are so rich, ready to be explored in this culture that I am discovering”, confides the artist.
He thought of this mobile installation as a dance in the skies, which would force us to raise our eyes, to look up into the air, to raise our heads, and thus feel a sense of elevation. Jean-Michel has always defended this notion of enchantment, of the marvelous, of infinity, of the cosmos, which are some of the keys to distancing ourselves a little from reality, while remaining aware of our fragility in the universe.
Othoniel also wanted to place sculptures, inspired by flowers, in the water mirrors outside the buildings. Just like Niemeyer’s construction, which would be inspired by the araucaria, a symbolic tree of the Paraná region, he insisted that his lotuses rise above the water, showing their reflections through the gold leaves and mirrors. These sculptures are a tribute to Niemeyer’s passion for botany.
Marc Pottier
Curator
Each exhibition held by MON in its iconic Eye is unique. What the public sees is always the sum of the talent of a great artist - in this case, the contemporary French artist Jean-Michel Othoniel - and a unique and stunning exhibition space, considered a work of art in itself, designed by the master Oscar Niemeyer.
Over more than two decades, several important exhibitions have been held there. However, each of them takes on a unique character, with great drama and strength, always attracting thousands of visitors.
This time, Othoniel's genius surpasses all expectations by transforming the exhibition room into a sort of planetarium, with the signs of the zodiac floating in the form of 12 blown glass sculptures. On the floor, the artist installed a sea of blue glass bricks that reflect both the constellation and the arch imagined by the architect. An astonishing combination.
Othoniel's first major solo exhibition in Brazil was built in the midst of this poetic and enchanting memory that evokes our origin and essence. When we connect with the sky and the stars, we reflect.
As if it didn't just fit inside the Museum's exhibition space, Othoniel's work spills out. At the foot of the Eye building, the public will see large abstract sculptures, inspired by flowers, that float in the water mirror, causing a surreal effect.
One of the Museum's premises is to provide inspiring and transformative experiences, establishing dialogues between the public and art.
Juliana Vellozo Almeida Vosnika
CEO of the Oscar Niemeyer Museum
The eye of night is blue, and its constellations are the colors of the rainbow. With this exhibition, the Eye, the largest exhibition room in the Oscar Niemeyer Museum, becomes a planetarium where my suspended glass sculptures evoke the signs of the zodiac. The space is plunged into darkness, and my works in mirror and colored glass reflect Oscar Niemeyer's delirious architecture. The room is an immense eye of glass, concrete and steel, hanging like an eagle's nest 20 meters above the ground, over a mirror of water, and is the last museum designed by this great genius of Brazilian architecture for the capital of Paraná. I love psychedelic architecture, and this exhibition is a challenge to madness, dreams and the stars.
For the Eye, I designed 12 suspended cosmic mobiles, built like intertwined glass beads. They resemble the movement of the stars in Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius and Pisces. These 12 constellation sculptures are reflected in the museum's glass walls and in a sea of 6,000 aquamarine blue glass bricks on the floor.
Below this imaginary body of water, a real water mirror houses five large sculptures inspired by the natural world so present in Paraná. Giant flowers covered in gold leaf, like astrolabes, mix their reflections with those of the architect's eye.
These reflections in a golden eye follow the energy lines created by Niemeyer. When I was a young artist, I was lucky enough to meet Oscar one evening at his house in Rio, overlooking the beach and the night sky. The memory of gazing at the stars with him through a large window, as if facing the curved universe of Brasilia, left a deep impression on me. It was on this poetic memory that my first major solo exhibition in Brazil was built.
Brasil, Curitiba, Museu Oscar Niemeyer
Jean-Michel Othoniel
Virtual exhibition
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Exhibition Attributes
Physical Stimulus
Movement restriction
Sound stimulus
Noisy Space
Visual stimulus
intense light
Visual stimulus
Blinking light